Inland Empire

David Lynch: Between Two Worlds, Part V

"I figured one day I'd just wake up and and find out what the hell yesterday was all about. I'm not too keen on thinkin' about tommorow. And today's slipping by."

We conclude our series David Lynch: Between Two Worlds with a full descent into the three-hour, digital nightmare of INLAND EMPIRE (2006). This is the film that finds Lynch completely unshackled from traditional filmmaking. It began with an experimental short and evolved into an epic, unscripted feature shot entirely on a consumer-grade MiniDV camera. In a radical move for a celebrated director, Lynch embraced the low-resolution, grainy aesthetic, transforming digital video from a limitation into the perfect medium for his themes of fragmented identity and spiritual chaos.

In these two episodes, we trace the film's extraordinary journey, from the influence of the unsettling Rabbits web short to the recently revealed details of the stunning 4K restoration. We spend time celebrating Laura Dern's courageous and career-defining performance as Nikki Grace / Sue Blue—a woman who slowly unravels as the line between her life and her film role dissolves. We explore the powerful themes of the "Lost Girl," the cycle of trauma, and the ultimate search for grace that lies beneath the film's chaotic surface. INLAND EMPIRE is more than just a movie; it is David Lynch's final, demanding statement, and an essential piece of surreal cinema that continues to reward those who dare to enter its world.


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INLAND EMPIRE, Part 1


INLAND EMPIRE, Part 2

Coming soon.



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Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

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Mulholland Drive